CEO and Executive Artistic Director – Christopher Donison
Christopher Donison is a Canadian composer, librettist, conductor, pianist, lecturer and inventor. A piano student of Winifred Wood and graduate in piano performance from the School of Music, at the University of Victoria, British Columbia, he went on to win a Dora Mavor Moore Award for Music Direction in Toronto and to serve as Music Director of the Shaw Festival in Niagara-on-the-Lake, Ontario, for ten years (1988-1998) where he conducted over 1,000 performances, created a string quartet residency programme and wrote more than a dozen scores for plays and orchestrations for many more.
He continued to pursue graduate studies in composition at State University of New York at Buffalo and has composed choral, chamber, and orchestral works.
In 1998 he finished an unfinished Gershwin musical for the Estate of George and Ira Gershwin to mark the centenary of George Gershwin’s birth. In January 1999 he appeared as guest conductor with the Kingston Symphony where he premiered his own first symphony: Symphony Erotica.
His concert works include Symphony Erotica; 7 Encounters for Soprano and Flute, the award-winning Choral Prophecy performed by the Choir of Clare College, Cambridge, England, on their first North American Tour; Theme and Conversations for Orchestra; The Little Match Girl for Orchestra, Narrator, and Dancer, choreographed adapted and narrated by Veronica Tennant; two string quartets, The Rashomon Quartet, and The Seagull Quartet for string quartet and distant oboe; and Music-by-the-Sea, quintet for clarinet and string quartet. The last five years have been primarily devoted to the creation of MBTS but most recently he has co-written and and conducted and orchestrated works for orchestra and Jorane, the phenomenal Québec cellist and singer/songwriter. Their collaborations have been featured as part of the BC Olympics Arts Festival and the 400 Year Anniversary of Quebec City concert with the Orchestre symphonique de Québec. In August of 2009 in Montréal, Donison conducted the Orchestre Métropolitain du Grand-Montréal and Jorane for Franco Follies.
He is also the inventor of the Donison-Steinbuhler Standard, a smaller 7/8 alternative piano keyboard which is hoped will become universally available for study, competition, and performance within a generation. He has served on the Board of Trustees of the National Arts Centre of Canada and he is the Founding and Executive Artistic Director of Music by the Sea at Bamfield British Columbia, International Music Festival & School.
Artistic Advisor and Chamber Music – Steven Dann
Steven Dann’s career has covered a wealth of violistic possibilities. As principal viola of some of the world’s leading orchestras, as a veteran of the string quartet and chamber music world, as soloist and recitalist and as a dedicated teacher, Mr. Dann has left all the doors open.
Mr. Dann was born in Vancouver, Canada, in 1953. His foremost teacher and mentor was the late Lorand Fenyves. Other influences include William Primrose, Robert Pikler and
Bruno Giuranna and five summers spent studying the string quartet repertoire with Zoltan Szekely and members of the Hungarian String Quartet.
Upon graduation from university he was named Principal Viola of the National Arts Centre Orchestra in Ottawa, Canada, a position he has subsequently held with the Tonhalle Orchestra in Zurich, the Royal Concertgebouw Orchestra in Amsterdam, the Vancouver Symphony and the Toronto Symphony Orchestra. He has also been a guest principal of the Boston Symphony Orchestra under Seiji Ozawa, the City of Birmingham Symphony Orchestra under Sir Simon Rattle and, in both performance and recordings, with the Chamber Orchestra of Europe under Nikolaus Harnoncourt, Paavo Berglund and Pierre Boulez.
Steven Dann has collaborated as a soloist with such Maestri as Sir Andrew Davis, Rudolph Barshai, Jiri Belohlavek, Sir John Elliott Gardiner, Jukka-Pekka Saraste and Vladimir Ashkenazy. Since 1990 Mr. Dann has been a member of the Smithsonian Chamber Players in Washington D.C. and was a founding member of the Axelrod String Quartet.
Martin Finnerty – Stage Manager
As Production Manager with The Banff Centre’s Music & Sound Program, a position he held for approximately 15 years, Martin Finnerty has had the opportunity to collaborate with many of this year’s Music by the Sea performing artists. Recently retired from that position, he is currently engaged in a variety of freelance video, audio, and performance projects in the Banff-Canmore area. He is active as a committee member on a number of community arts initiatives. And, just recently, has stepped out from behind the theatre lighting console assuming an on-stage acting role with Canmore’s local community theatre troupe.
Jim Anderson – Piano Technician
Jim is a Registered Piano Technician and member of the Piano Technicians Guild and Canadian Association of Piano Technicians. He is the head piano technician for the University of Victoria School of Music, the official harpsichord and fortepiano technician for the Early Music Society of the Islands and a consultant for Yamaha Canada. Jim’s has taken courses at the C.F. Theodore Steinway Technical Institute in New York City and at their institutional teaching facility at Oberlin College in Ohio, at the Yamaha Piano Technology Academy in Hamamatsu (now Kakagawa) Japan, at UWO as part of the “Tune in to UWO” seminar as well as piano technology courses in Vienna and at the at the L. Bosendorfer Klavierfabrik GmbH in Weiner Neustadt, Austria. Jim has also taught seminars in piano technology in local, provincial and international chapters of the Piano Technicians Guild. Jim has also been published in the Piano Technicians Guild Journal.
Deborah Bricks – Director of Marketing and Front of House Manager
Deborah Bricks’ event management experience spans over 15 years—most of it in New York City and Toronto. Working in fast-paced cosmopolitan cities gave her a wealth of insights and expertise about orchestrating complex corporate and cultural events. In BC, Deborah’s consulting work includes marketing & PR for cultural agencies, event planning & project management, and serving as co-director for the Victoria International Jewish Film Festival.
Robert Dettling – Piano Technician
Robert Dettling Steinway trained Concert Piano Technician has been serving the artistic community for over 35 years. He has worked for many concert artists over the years and is happy to join the MBTS team as their residence piano technician.
Marcel Sanati – Box Office/Front of House Manager
Marcel is a music enthusiast of all sorts. Having played piano and clarinet for most of his life, naturally he was
intrigued by the intoxicating allure of Music By the Sea. His wish is that, like him, you too will fall in love with this unique celebration of sound.
Artist Co-ordinator – Laura Karney
Laura has enjoyed an international performing career for over a decade, playing concerts in more than a dozen countries on three continents. She received her Bachelors in Oboe Performance at the Eastman School of Music and her postgraduate studies were at the Hochschule für Musik in Trossingen, Germany. Her diverse career has honed her organizational skills and developed in her a strong interest in being part of the groundwork for developing music, arts and cultural projects. She currently resides in Barcelona, Spain.
MBTS Board of Directors
Sharie Minions, The Mayor of the City of Aberni,
Bob Beckett ACRD Representative for Electoral Area “A”,Bamfield
President: Lyle Soetaert, Victoria BC
Vice President: Christopher Wedick, Victoria BC
Secretary: Saria Dosseli, Victoria BC
Treasurer: Kelsey Webb, Pro-line Management, Victoria, BC
Director: Charlie Clappis, Huu-Ay-Aht First Nation
Director: David Thomas, AXYS Group, Sidney, BC
Director: Christopher Wedick
Music by the Sea is a non-profit society