Neil Swainson, bass (Toronto)
Bryn Badel,  posthorn (Victoria)
Cecily Ward
, violin (London)
Laila Zakzook, viola (Toronto)
Nan Hughes, mezzo soprano (Banff)
Jacob Cordover
, classical guitar (Barcelona)
Aaron Schwebel, violin (Toronto)
Tom Stone, violin (San Francisco)
Buon Park, violin (Korea)
Keith Hamm, viola (Toronto)

Julie Hereish, cello (Quebec City)
Marc Ryserpiano (Boston),
Buff Allen, drums (Vancouver)
Drew Comstock, cello (Toronto)
Brian Dickinson, jazz piano, (Toronto)
Kelly Jefferson, saxophone, (Toronto)
Brad Turner, drums (Vancouver)
Jazimina MacNeil, mezzo soprano (Boston)
Carissa Klopoushak, violin (Ottawa)
Emmanuelle Beaulieu, cello (Toronto)


Huachu Huang, viola
Erin James, violin
Jacob Clewell, viola
Lucas Blekeberg, viola
James Churchill, cello
Carmen Bruno, cello

If you haven’t been to MBTS before it is worth taking the time to read about how we programme. We are not a normal festival, in the sense that people normally buy tickets for a particular artist on a particular night. Instead, we create a “company”  of individual artists from across the country and the globe, both jazz and classical, who then collaborate to create the programme.

Once we have confirmed all the artists in April, we begin a process of developing a repertoire wish list. From this list we determine our final programme. Generally, a typical concert contains a short piece or two from a variety of artists in the company, in a variety of collaborations, both jazz and classical. If you’d like to see more, view our previous programmes here.

Jazz selections are announced from the stage. We have been doing this long enough now that audiences are buying tickets before they know the programme or the artists— because they are confident that every concert will have a large, thoughtfully chosen, selection of the company and different genres.